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  • Pillow | Review


    By | March 8, 2011

    Director: Joshua H. Miller, Miles B. Miller

    Writer(s): Joshua H. Miller, Miles B. Miller

    Starring: Mitchell Crisp, Ed Lowry, Kristen Stracener, John Isner

    The cackling voice of an overbearing mother (voice: Mitchell Crisp) screams from an unseen upstairs bedroom that she wants a “respectable pillow.” The local general store’s pillow bin is bare, but when a feather falls from approaching storm clouds, the two hapless brothers (Ed Lowry and John Isner) get the bright idea to go fishing for an angel while a haunting rendition of “Amazing Grace” (by Michael Sutterfield) plays from their phonograph. That is where the angel (Kristen Stracener) comes in. Umm… Yeah, Pillow definitely is a surreal fantasy.

    Co-writing/co-directing/co-producing brothers Joshua H. Miller and Miles B. Miller rely solely on their adept visual styling to convey the story because, well, the brothers in the film don’t talk much—heck, they don’t talk at all. Except for the screaming mother (who is only heard and never seen), Pillow is essentially a silent film. This stunningly photographed (by Gabe Mayhan) Southern Gothic tale set somewhere in the Southern Plains during the 1930s, recalls the stylistic sensibilities of the illustrious cinematographer Roger Deakins (who is probably best known for his work with the Coen Brothers—and his nine Oscar nominations).

    Pillow scored really big during its festival debut at the 2011 Oxford Film Festival, winning the Best Narrative Short Award and the Lisa Blount Memorial Acting Award (awarded to Lowry). Kudos to the Oxford Film Festival for awarding a silent acting performance and to the Miller brothers for making such an intriguing and poetic short film.

    Rating: 8/10

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